Sir Gawain and the Green Knight is a late 14th-century Middle Englishalliterativechivalric romance outlining an adventure of Sir Gawain, a knight of King Arthur's Round Table. In this Arthurian tale, Sir Gawain accepts a challenge from a mysterious warrior who is completely green, from his clothes and hair to his beard and skin. The "Green Knight" offers to allow anyone to strike him with his axe if the challenger will take a return blow in a year and a day. Gawain accepts, and beheads him in one blow, only to have the Green Knight stand up, pick up his head, and remind Gawain to meet him at the appointed time. The story of Gawain's struggle to meet the appointment and his adventures along the way demonstrate chivalry and loyalty. The poem survives on a single manuscript, the Cotton Nero A.x., on which are also written three religious pieces. These works are thought to have been written by the same unknown author, dubbed the "Pearl Poet" or "Gawain poet". All four narrative poems are written in a NorthWest Midland dialect of Middle English. Everything from the Green Knight, to the beheading game, to the girdle given to Gawain as protection from the axe, is richly symbolic and steeped in Celtic, Germanic, and other folklore and cultural traditions. (Full article...)
Murray Maxwell (1775–1831) was a British Royal Navy officer who served with distinction in the late 18th and early 19th centuries, particularly during the French Revolutionary and Napoleonic Wars. Maxwell first gained recognition as one of the British captains involved in the successful Adriatic campaign of 1807–1814, during which he was responsible for the destruction of a French armaments convoy at the Action of 29 November 1811. As a result of further success in the Mediterranean, Maxwell was given increasingly important commissions and, despite the loss of his ship HMS Daedalus off Ceylon in 1813, was specially selected to escort the British Ambassador to China in 1816. The voyage to China subsequently became famous when Maxwell's ship HMS Alceste was wrecked in the Gaspar Strait, and he and his crew became stranded on a nearby island. The marooned sailors suffered from shortages of food and were repeatedly attacked by Malay pirates, but thanks to Maxwell's leadership no lives were lost. Eventually rescued by an Honourable East India Company ship, the party returned to Britain as popular heroes, Maxwell being especially commended. He was knighted for his services, and made a brief and unsuccessful foray into politics before resuming his naval career. In 1831 Maxwell was appointed Lieutenant Governor of Prince Edward Island, but fell ill and died before he could take up the post. (Full article...)
Image 2King Edward's Chair in Westminster Abbey. A 13th-century wooden throne on which the British monarch sits when he or she is crowned at the coronation, swearing to uphold the law and the church. The monarchy is apolitical and impartial, with a largely symbolic role as head of state. (from Culture of the United Kingdom)
Image 9Music hall evolved into variety shows. First performed in 1912, the Royal Variety Performance was first held at the London Palladium (pictured) in 1941. Performed in front of members of the Royal Family, it is held annually in December and broadcast on television. (from Culture of the United Kingdom)
Image 22William III and Mary II Presenting the Cap of Liberty to Europe, 1716, Sir James Thornhill. Enthroned in heaven with the Virtues behind them are the royals William and Mary who had taken the throne after the Glorious Revolution and signed the English Bill of Rights of 1689. William tramples on arbitrary power and hands the red cap of liberty to Europe where, unlike Britain, absolute monarchy stayed the normal form of power execution. Below William is the French king Louis XIV. (from Culture of the United Kingdom)
Image 34The Notting Hill Carnival is Britain's biggest street festival. Led by members of the British African-Caribbean community, the annual carnival takes place in August and lasts three days. (from Culture of the United Kingdom)
Image 35The Christmas Pantomime 1890. Pantomime plays a prominent role in British culture during the Christmas and New Year season. (from Culture of the United Kingdom)
Image 43Mo Farah is the most successful British track athlete in modern Olympic Games history, winning the 5000 m and 10,000 m events at two Olympic Games. (from Culture of the United Kingdom)
Image 52The Oxford Union debate chamber. Called the "world's most prestigious debating society", the Oxford Union has hosted leaders and celebrities. (from Culture of the United Kingdom)
Image 65King Alfred the Great statue in Winchester, Hampshire. The 9th-century English king encouraged education in his kingdom, and proposed that primary education be taught in English, with those wishing to advance to holy orders to continue their studies in Latin. (from Culture of the United Kingdom)
Image 71Emmeline Pankhurst. Named one of the 100 Most Important People of the 20th Century by Time, Pankhurst was a leading figure in the suffragette movement. (from Culture of the United Kingdom)
Image 77Cricketer W. G. Grace, with his long beard and MCC cap, was the most famous British sportsman in the Victorian era. (from Culture of the United Kingdom)
The "Hampden" portrait of Elizabeth I of England was painted by the Flemish artist Steven van der Meulen in the mid to late 1560s. Art historian Sir Roy Strong has suggested that this is "one of a group produced in response to a crisis over the production of the royal image" as a number of old-fashioned and unflattering portraits of the queen were then in circulation. This is the earliest full-length (2 m or 7 ft tall) portrait of the young queen, and depicts her in red satin trimmed with pearls and jewels. It represents a phase in the portraiture of Elizabeth I before the emergence of allegorical images representing the iconography of the "Virgin Queen". In November 2007 it was auctioned by Sotheby's for ₤2.6 million, more than twice the maximum predicted.
Ophelia is an oil painting on canvas completed by Sir John Everett Millais between 1851 and 1852. It depicts the character Ophelia, from Shakespeare's play Hamlet, singing before she drowns in a river in Denmark; this death scene is not seen onstage, but is instead described in a speech by Queen Gertrude. The painting was completed in two stages: first, the setting (drawn from the Hogsmill River in Surrey) then Ophelia (portrayed by Elizabeth Siddal). The painting is now owned by Tate Britain and valued at more than £30 million.
The western departures concourse of London King's Cross railway station as seen through a fisheye lens. This semi-circular concourse, designed by John McAslan, built by Vinci, and completed in March 2012, is designed to cater to much-increased passenger flows, and provide greater integration between the intercity, suburban and Underground sections of the station.
Kew Gardens is a botanic garden in southwest London. Founded in 1840, its living collections include some 27,000 taxa while the herbarium houses over 8.5 million preserved plant and fungal specimens. This photograph shows the Davies Alpine House, which opened in 2006. The design of the greenhouse encourages natural airflow, the automatically operated blinds prevent overheating, and the glass is of a special type that allows maximum transmission of ultraviolet light. The structure houses a collection of alpine plants that grow above the tree line in their localities of origin.
The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los.
The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality.
A stitched image of the Radcliffe Camera in Oxford, England, as seen from the tower of the Church of St Mary the Virgin. The building, often abbreviated as 'Rad Cam', was built by James Gibbs in 1737–1749 to house the Radcliffe Science Library. After the Radcliffe Science Library moved into another building, the Radcliffe Camera became a reading room of the Bodleian Library.
30 St Mary Axe, otherwise known as "The Gherkin" or the Swiss Re building, at 180 m (590 ft) is the 6th tallest in London, England. Designed by Foster and Partners, the architectural design of the tower contrasts sharply against more traditional buildings in London. Its design won the prestigious RIBAStirling Prize for the best new building by a RIBA architect in 2004 and the 2003 Emporis Skyscraper Award for the best skyscraper in the world completed that year. The building is visible from a long distance from Central London: from the north for instance, it can be seen on the M11 motorway some 32 km (20 mi) away.
Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece.
Beachy Head is a chalk headland on the south coast of England, close to the town of Eastbourne in the county of East Sussex. The cliff there is the highest chalk sea cliff in Britain, rising to 162 m (530 ft) above sea level. The peak allows views of the south east coast from Dungeness to the east, to Selsey Bill in the west.
Gilbert and Sullivan created fourteen comic operas, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, many of which are still frequently performed today. However, events around their 1889 collaboration, The Gondoliers, led to an argument and a lawsuit dividing the two. In 1891, after many failed attempts at reconciliation by the pair and their producer, Richard D'Oyly Carte, Gilbert and Sullivan's music publisher, Tom Chappell, stepped in to mediate between two of his most profitable artists, and within two weeks he had succeeded. This cartoon in The Entr'acte expresses the magazine's pleasure at the reuniting of D'Oyly Carte (left), Gilbert (centre), and Sullivan (right).